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Kamasan is a traditional painting artist community. So intimate and so long the development of traditional painting the artists described the results of the painting there own style (style) that separate traditional painting Kamasan. Indeed artistic talent grows also in the works of art in the form of gold and silver carving and sculpture is the last bullet. Although in terms of the material used metal color fabric to follow the changes but still appears in his trademark theme of paintings or engravings that depict figures puppet.
Puppet figures the theme of the painting or engraving refers to the story of the epic Mahabharata or the Ramayana, as well as the story of Arjuna kekawin Wiwaha, Suthasoma. Therefore, painting or carving or Wayang Kamasan Kamasan style can be said to be somewhat older age than their historical context, which until now still seems intact. According to the collector impression International, Kamasan style painting is still considered very refined and sophisticated, clean, no fuss with details that are not important and very clear message story. Paintings or carvings, traditional puppets that bring core of attraction for artists or tourists visiting the village of Kamasan.
Location
Kamasan as the center of the development of traditional painting and carving is the name of a village in the district and Klungkung regency. Kamasan village including geographically low-lying coastal villages or beach Meet klotok ± 3 km. Distance from Denpasar to this village is 43 km, can be reached by motor vehicle, all the way to the object of the centers of painting or carving craft is paved.
Can be reached through three channels, namely: (1) the West line of the middle of the district to the south along the 1.5 km turn left direct to Sangging banjo, traditional puppet residence of the famous painter Nyoman Mandra. To the south a little longer to train Pande Mas, center carved gold, silver, (2) line north of the city of Klungkung regency somewhat in the east to the south by the road turns up in banjo elbow, is also the residence of a traditional painter named Mangku Mura, (3) Line south of the center of town to the south of Klungkung regency along 3 km through the villages and Gelgel tojan to train Pande, traditional carving craft center bullet material.
Along the road traversed in hamlets or villages, and Gelgel tojan neighbors still hear the clang of hammers and the craftsmen carved silver bullet or a well that produces sound cagcag woven songket. Can be referred to the surrounding objects is Kertha Gosa in Klungkung city, and Pura Pura Batu klotok Gelgel base in the history of the kingdom of greatness remains Gelgel the 15th century and the 16th in Bali.
Facilities
There is an exhibition hall or a painting or carving product sales, where the west banjo Sangging, about 50 meters away. A training workshop was founded by Nyoman Mandra painting in her own home. When guests visit Kamasan then more able to enjoy direct workshops of artists painting or carving at home respectively. Roads that can be taken entirely paved motor vehicle (car, motorcycle) or traditional transport carts are also available.
Visit
Kamasan as the central product of traditional painting or engraving was visited by many tourists and foreign tourists. The time of their visit is during the daytime. The tourists who visit Kamasan use equipment motorcycle, car, taxi or gig.
Description
Kamasan or "Ka-gold-ness" is a name that is quite old for a community of people who have a job in the Pande Mas adequately match the name of one of the hamlets in the village of Kamasan. Archaeological hills are found in the form of stone thrones, statues menhir, stone mortar, stone manger, cylindrical monoliths, stone dakon, hallways lined stone path that was found in 1976 and 1977, which are scattered in villages Kamasan, Gelgel and tojan, gave enough hints that the old community umurnya.Dari archaeological findings also indicate that megalithic tradition of life would never Kamasan and surrounding communities, the Hindu community life that is rooted in pre-Neolithic period (+ 2000 years BC). Megalithic tradition has been absorbed by the undagi and the pande's later period. The Pande increasingly recognized and enabled by the King (Ida Dalem) since kingdom centered in Gelgel (1380-1651). Products on the metal sculpture in the form of gold or silver dish (bowl, pan, etc.) have become fixtures of jewelry items Sultan Suweca Linggaarsa Pura Gelgel. In addition to sculpture, painting flourished puppet for decoration in the form of flag cloth (Kober, banners, lelontek), decorative fabrics (ider-ider and parba) that complement the decor in holy places (temple) or building Kraton.Sejak complex II ruled the throne holder Waturenggong Dalem (1460-1550) royal Gelgel peak fame, it is a golden Kamasan village craftsmen. Hamlets that exist primarily Sangging and Pande Mas banjo can be said Gilda, a working group, consisting of craftsmen houses and workshops where residents live, work and serve the King until the end of life is seen as a god mereka.Raja king in charge of keeping the universe (the universe and its contents) always exist in a state of balance and harmony. Therefore, art is seen as an important element in maintaining harmony through art was sacred then becomes the task of the authorities to protect and maintain the center of power moved kesenian.Pada time of Gelgel to Klungkung, by Dewa Agung Jambe in 1686, a direct descendant of the dynasty Krishna Kepakisan in Gelgel , the position of the core of the village of Kamasan Sangging and Pande Mas as Gilda banjo craftsmen where the artists paintings and carvings remain dipertahankan.Akan but now that he turned into the capital of Klungkung regency of Bali Province and the descendants of the King and the nobles become officers and employees of RI, banjo and Banjar Sangging Banjar Pande Mas is no longer the king of Gilda. Nonetheless, the artists and craftsmen Sangging, pande mas-banjo and Banjar others: Elbow, Geria, Kacangdawa, Tabanan Peken Pande and still continue to produce a painting or carving style or styles Kamasan wayang.Perluasan craftsmen have diverse products, not just limited to engraving gold and silver but there are also carving made from copper or brass and bullets. Their art products such as paintings or carvings much booked by foreign tourists or archipelago. Similarly, in line with increased tourism, souvenir shops and art in Klungkung, or the art market Gianyar and Denpasar and hotels also the customers are regulars from the art products in Kamasan style puppet.
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